The Sony ECM 77 is the broadcast industry standard lapel microphone, offering a good balance of omnidirectional (all-around) pick-up and good sensitivity.
Very similar to the Sony offering, although maybe with a brighter, less bass-heavy sound.
We have a selection of lapel microphones with mini-jack plugs, with omni or directional pick-up. They are all more than good enough for lecture and conference work.
The Sennheiser MKH 416 is a premium short gun interference tube microphone. The excellent directivity and a compact design are ideal qualities for universal use in film, radio and television, especially for outdoor broadcast applications. It has a switchable bass cut filter. A very popular microphone.
The AKG C 568 B has high directivity and a wide frequency response, making it a perfect tool for theatre, sound reinforcement, and film/TV applications. Below 500 Hz, it functions as a hypercardioid microphone; above 500 Hz, the acoustic interference tube introduces increasing directivity. A bass cut filter effectively suppresses rumble and wind noise.
The C1000 S multi-purpose small-diaphragm condenser microphone is extremely popular for its versatility. It features a bass-cut switch and a switchable -10 db pad. Three different frequency settings can add more clarity to speech and instrument sounds. The polar pattern can quickly be switched from cardioid to hyper-cardioid.
The T-Bone EM 9600 directional condenser shotgun is suitable for video, voice, and choir recording. It has a switchable pick-up pattern. Although it is a budget microphone, it produces very good results.
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The ECM-MS957 single-point stereo microphone is ideally suited for recording live concerts, conferences, and interviews. A mid/Side (MS) switch selects the pickup angle between the left and right channels. Choose 90° for a single voice or instrument, or 120° to pick up many voices and instruments arranged across the stage. A rotating mid capsule allows the user to adjust the stereo pickup pattern for the widest range of recording situations.
Fitted with a stereo mini-jack plug.
The V7 is a super-cardioid model designed for live use. This is a top-rated, robust, dynamic microphone.
It can plug into a radio module and this can be a very good alternative to cable.
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The Sennheiser XS wireless 1 kit is easy to use. It comes with a base receiver and two hand-held wireless E825s microphones. These cardioid dynamic microphones are for vocals and speech and work well when singers spontaneously change the pick-up angle and move further away from the capsule, which happens – often.
Sony wireless set. The package includes the UTX-B03 belt-pack transmitter and URX-P03 portable receiver. Also included is an omni-directional lavalier microphone. The Sony UTX-P40 Plug-On Transmitter can be supplied as an alternative.
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The SQN mixer is a portable four-channel stereo mixer. It comes with a mains power adapter, rechargeable battery bag, and other specialist connecting cables.
MACKIE 1642-VLZ PRO is a general‑purpose mixer capable of handling both live sound and recording applications. It is very flexible and easy to use.
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The DR-40 captures up to four tracks from built-in condenser microphones, XLR mic or line inputs, recording at up to 96kHz/24-bit resolution. It accommodates balanced XLR or 1/4″ line inputs using locking Neutrik Combo jacks. The DR-40 accepts SD or SDHC cards up to 32GB.
Tascam DR70D has four balanced XLR inputs and a pair of built-in microphones. It can be mounted either above or below a camera. Record to SD card (64MB to 2GB), SDHC card (4GB to 32GB), SDXC card (48GB to 128GB).
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We have headphones, microphone stands, cables, anti-trip mats, gaffer tape, door stops and more.
DAT, reel to reel recorders and other vintage audio kit is available. Please do ask.
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36 Eton Road, Datchet, SL3 9AY
hello at cardinalbroadcast.co.uk
Robert: 07809 158965
Andrew: 07860 370879
36 Eton Road, Datchet, SL3 9AY
hello at cardinalbroadcast.co.uk
Robert: 07809 158965
Andrew: 07860 370879
